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发布时间:2023-12-05 02:29:18   来源:文档文库   
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2021届常州市北郊中学高三英语期中试题及答案
第一部分阅读(共两节,满分40分)
第一节(共15小题;每小题2分,满分30分)
阅读下列短文,从每题所给的ABCD四个选项中选出最佳选项
A
TherehavebeenmanygreatpaintersintherichhistoryofChineseart.HerearefourofthegreatestpaintersfromChina.
LiCheng(919—967,FiveDynastiesandearlySongDynasty
LiChengcontributedgreatlytooneofthegoldenagesoflandscapepaintingsinworldhistory.Duringhistime,hewasconsideredthebestlandscapepainterever.Heisrememberedespeciallyforthewinterlandscapeshecreatedandforsimplecompositionsoftall,oldevergreenssetagainstadrylandscape.Severalofhispaintingsareinthininkwhichgivesthemafoggyappearance.
FanKuan(990—1020,SongDynasty
FanKuanbeganhiscareerbymodelingLiCheng'sworkbutlatercreatedhisownstyle,claimingthattheonlytrueteacherwasnature.HisfinestworkTravelersamongMountainsandStreamsisamasterpieceoflandscapepaintingandmanyfutureartiststurnedtoitforinspiration.
QiBaishi(1864-1957
OneofthegreatestcontemporaryChinesepainters,QiBaishiisknownfornotbeinginfluencedbyWesternstyleslikemostpaintersofhistime.HecanbeconsideredasthelastgreattraditionalpainterofChina.Hepaintedalmosteverythingfrominsectstolandscapes.HeisregardedhighlyinChineseartforthefreshnessthathebroughttothefamiliartypesofbirdsandflowers,insectsandgrass.
WuGuanzhong(1919—2010
WidelyconsideredasthefounderofmodernChinesepainting,WuGuanzhonghaspaintedvariousaspectsofChina,likeitsarchitecture,plants,animals,peopleandlandscapes.WuwentontocombineWesternandChinesestylestocreateauniqueformofmodemart.In1992,hebecamethefirstlivingChineseartistwhoseworkwasexhibitedattheBritishMuseum.1.WhatdoweknowaboutLiCheng?A.Helovedlandscapepaintings.B.Hecopiedmanyartists'work.
C.Hisworkgainedworldwiderecognition.

D.HewasconsideredasFanKuan'steacher.2.WhatisthemainfeatureofQiBaishi'spaintings?A.Theyhavefoggyappearances.B.Theylackdiversityinthetheme.C.TheycomeunderWesterninfluence.D.Theyshowadvancedtraditionalpaintingskills.3.WhatdidthefourChinesepaintershaveincommon?A.Theywereallmodernpainters.B.Theyallcreatedlandscapepaintings.C.TheywereallimpactedbyWesternart.D.Theywereallpioneersintraditionalarthistory.
BPortraitsasArt
Accordingtoadictionary,portraitureis“arepresentation(描绘ofaperson,especiallyofthefacebydrawingorpaintingalikeness.”However,thisdefinitionneglectsthecomplexitiesofportraiture.Portraitsareworksofartthatengagewithideasofidentityratherthanjustalikeness.Theseconceptsofidentityinvolvesocialrank,gender,age,profession,characterofthesubject,etc.Itisimpossibletocopyalltheaspectsofidentity.Therefore,portraitsreflectonlycertainqualitiesofsubjects.Portraitarthasalsoundergonesignificantshiftsinartisticpractice.Themajorityofportraitsaretheoutcomeofcurrentartisticfashionsandfavoredstyles.Therefore,portraitartisanartcategoryprovidingvariousengagementwithsocial,psychological,andartisticpracticesandexpectations.
Sinceportraitsaredifferentfromotherartcategories,theyareworthyofseparatestudy.Duringtheirproduction,portraitsrequirethepresenceofaspecificperson,oranimageoftheindividual.Inmanyinstances,theproductionofportraiturehasrequiredsittings,whichresultininteractionbetweenthesubject(sandtheartistthroughoutthecreationofthework.Incertaininstances,portraitartistsdependedonacombinationofdifferentinvolvementwiththeirsubjects.Ifthesittercan’tsitinthestudioregularly,portraitistscouldusehisorherphotographs.InEurope,duringtheseventeenthandeighteenthcentury,thesittingtimewassometimesdecreasedbyfocusingonlyonthehead.Theoretically,portraitistscouldworkfromimpressionsormemorieswhencreatingapainting,butthisrarelyoccurredaccordingtodocumentedrecords.Nonetheless,whethertheworkisbasedonmodelsittings,copyingaphotograph,orusingmemory,theprocessofpaintingaportraitis

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